Revelation 15

A joyful and rhythmic setting of the beloved 19th century text, this has nice vocal ranges and a clean, classic feel. The newly composed melody captures all of the buoyancy inherent in the lyrics. For

After a lengthy introduction featuring organ and C instrument, the choir enters singing HOLY MANNA, first in unison and then in canon. Transitional harmonic regions color the third verse, then the return of

This moving anthem based on the calming text found in Psalm 46:10 will be very welcome in your worship services. The stillness of the text is matched with a lovely original melody and piano accompaniment.

This composition features an original melody combined with a familiar and much-loved text. The two contrasting parts make this an easy and effective anthem for choirs of all sizes. 

This Baroque-like anthem incorporates accessible contrapuntal technique, making it satisfying for singer and listener alike. With a voicing for smaller ensembles, use for Lent or communion.

A lilting 6/8 setting of Psalm 103, this is scored for SATB voices, descant, and congregation, with piano and optional 3-5 octave handbells. First the choir sings the antiphon and the congregation copies

Adapted from Psalm 103, this accessible and joyful setting is useful throughout the church year. Solid three-part writing with limited range for the bass part makes this a great choice for slim Sundays or

The 16th century Scottish tune Flowers of the Forest is paired with a new text by Susan Palo Cherwien in this simple yet stately anthem for two-part mixed choir and organ. The text echoes a

The old Irish tune SLANE is set to a 20th-century text by Timothy Dudley-Smith in this general yet powerful setting for two-part mixed voices, flute, and organ. The use of the congregation is an option on

An original text by Marilyn Biery is set for voices and piano with optional B-flat or C instrument. This setting is two equal parts, it could be used for treble choirs or for mixed choirs as well.

This newly-composed Christmas carol is a gentle invitation to the mystery of the Incarnation. The melody, scored for SAB voices and optional congregation, could also be sung by children's voices.

Here is a stirring setting of John 8 for narrator, choir, and optional congregation, singable with or without the tenor line. The text speaks of encouragement and challenge, making the work appropriate for

This accessible arrangement of Carl Schalk's hymn tune, RAABE, is perfect for the smaller choir with optional congregational singing. Susan Palo Cherwien's text compares the story of Jesus's appearance to

"But they, whom sin has wounded sore, find healing in the wounds he bore." William Johnson's penetrating hymn was written in 1953 and is deeply expressed with new music by composer Tim

"I am the resurrection and the life." After a short preamble, the soaring, original melody is sung antiphonally by the women's and men's voices. The contrasting middle section features homophonic voices,

The text for this piece is attributed to St. Ambrose of Milan and speaks of the glorious gifts of God as seen through the lives of those who have gone before. The DEO GRACIAS tune is presented in a quick

The familiar tune BEACH SPRING is used in this accessible and flowing setting of this great communion text. The organ and vocal part is simple and effective. There are a few a cappella measures that are